The group exhibition 2 Years 10 Meters, curated by Natalia Schmidt, opened on April 24, 2024, at the Cité Internationale des Arts in Paris. My name was also included in the exhibition due to the projection graphics in Didem Yalınay’s artwork Intra)/value. This was another step in Didem’s long-term project. She hated being called a “Digital Artist.” She produced wonderful works with Seçkin Maden. I was fortunate enough to accompany her as a modest collaborator on one of her pieces….

Last month, we completed the third edition of the Robotic Earthcrafts workshop series, which I co-organized with Fulya Akipek, following the first in 2018 and the second in 2023. An earthen mixture composed of clayey soil, lime, fibers, and cement was rammed into molds produced via robotic hot-wire cutting. The geometry of the fabricated wall is based on a hexagonal grid and features a Truchet-like variation. Constructed using four different block types, the wall was completed within 5 days and…

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Rammed earth is an unpredictable, labor-intensive building material, and far less durable than concrete. It cannot deliver the standard strength expected by engineering academia. And perhaps it is for the better that it cannot. Because it tells us an entirely different story. It reminds us architectural thinking that dares to look outside the box. What I want to share here, is not just a simple studio project, but a profound life lesson for many of us here, lived in the…

When thinking about serious and specific topics, I suddenly find myself looking back at the basics again. Catenary curves, are not the most beautiful one among those mathematical forms found in nature. However, it still tells us a lot about structures. The name apparently comes from catenaria, the Latin word for “chain”. This Grasshopper code was actually an example from our book 10 years ago (link here). It seems catenary curves could potentially be used in a type of dome…

Last year, for the midterm assignment in our first-year basic design studio, we gave our students a range of different, randomly generated contexts to work with. For this purpose, I developed a small Grasshopper tool that makes the graph of a function look as much like a terrain model as possible. This tool is not really a procedural terrain generator. I would genuinely like to build one, someday. What we have here is simply a function surface. At the inputs,…

I’m looking forward to teaching Design Mathematics, a compulsory course in Istanbul Bilgi University’s graduate program in Architectural Design. The course was previously offered as an elective in the undergraduate program (here). Over time, I have also shared parts of the course content on the blog, particularly the sections on linear algebra and Rhino Python. Unfortunately, though, I have never quite managed to turn this material into the book project I had envisioned. Perhaps this semester I’ll finally make it…

The 2025 IAAC Istanbul Summer school was conducted at İstanbul Bilgi University last year. Yesterday, a video was published about it on YouTube. It was prepared by Arkitekt. Here is the video: This reminded me the workshop and I decided to write about my side of the study. The reciprocal structure was designed by Gamze Gündüz, where she finalized it using a Grasshopper code. Then, the timber elements were labeled and sized with the help of Grasshopper again and integrated…

While digging through my archives, I found an old animation I made in 2023. Back then, I was generating patterns with Parakeet. Thanks to this talented add-on, I managed to create a nice pattern by dressing a different component onto a Snub Square tiling base. However, for some reason, things started turning into a horror movie after that. MultiPipe was popular back then. So, I converted this pattern into surfaces using MultiPipe and attempted an animation using Rhino’s rendered viewport…

Today, Efecan and I attached the sandblasting device to the robotic arm. The device sprays a special sandblasting material onto surfaces using air pressure. Thus, it is used for cleaning moldy and dirty surfaces in buildings under restoration. Under normal conditions, the sandblasting gun is controlled manually. If the cleaning is too light, it remains insufficient, but it shouldn’t be so intense as to erode the stone either. Normally, the operator performs this control visually. Here, the potential uses for…